PassmoreLab’s 3D Content Now Mobile on Spatial View’s 3DeeCentral.com
3D Studio’s titles on New 3D Mobile Platform
San Diego, CA (Mar 25, 2011) – 3D fans of pesky aliens, flesh-eating zombies, blood-thirsty vampires, slimy worms, and glam band rockers can now enjoy them as part of the newly-launched 3D PC and mobile platform, 3DeeCentral.com. Spatial View’s online source of stereo 3D content has entered into a licensing agreement with San Diego-based 3D Studio PassmoreLab for a number of their 3D titles.
3DeeCentral includes paid and free 3D content available for 3D PCs, mobile and internet-connected devices. The content agreement includes titles in the genres of science and nature, music videos, extreme sports, and animation. The platforms support a number of 3D devices using active shutter glasses, polarized glasses, anaglyph and auto-stereoscopic technologies.
Spatial View has licensed content from numerous independent 3D filmmakers, bringing their total to over 100 3D titles. They have positioned themselves as the ‘go-to destination’ for consumers looking for compelling 3D content.
“3DeeCentral offers online stereo 3D content for a broad range of 3D devices,” said Al Lopez, COO of Spatial View. “Our objective is to offer the most comprehensive coverage of platforms as possible, and our partnership with PassmoreLab gives us some beautifully-crafted high quality content offerings.”
PassmoreLab’s 3D content will be available for purchase for direct delivery to 3D mobile devices. The initial licensing term is for two years, covering all territories worldwide. Prices range from $1.99 to $6.99 US.
The initial agreement consists of eight titles from PassmoreLab, with more to follow. Specifically, the titles include:
- Science documentary “The Extreme Nature of Bats”
- Nature documentary “Microworlds”
- Documentary “Glimpse – The Fine Art of Glass Blowing”
- Part One of the Extreme Culture 3D series – “Murrugun The Mystic”
- The original 1968 George Romero zombie thriller “Night of the Living Dead, Now in 3D!”
- Ed Wood’s 1959 cult classic “Plan 9 from Outer Space, Now in 3D!”
- The PassmoreLab original animated short “Holy Moly”
- Glam rockers Semi Precious Weapons 3D rock video “Magnetic Baby”
“The timing is perfect for us to partner with 3DeeCentral as the 3D industry has expanded exponentially,” said Greg Passmore, president of PassmoreLab.
“We are happy to help it expand even further, as a clip from one of our titles–Semi Precious Weapons “Magnetic Baby” 3D rock video–is also being featured on 3DeeCentral’s demo reel to entice other 3D content owners to join us.”
PassmoreLab continues to add to their already substantial 3D content library, completing science & nature documentaries The Physics of Surfing, The Extreme Nature of Bats, Microworlds, Bone Breakers, and Fuzzy Baby Animals; cult classic features Plan 9 from Outer Space, Now in 3D!, and Night of the Living Dead, Now in 3D!; the independent motion picture Iron Doors 3D; and numerous rock videos including Plain White T’s “Rhythm of Love” certified Gold; Slash’s #1 “By the Sword” with Andrew Stockdale; Semi Precious Weapons award-winning “Magnetic Baby”; punk-rockers Osaka Popstar & the American Legends of Punk “Wicked World”; and Rock ‘n Roll Hall of Famer Sammy Hagar’s “Loud”. PassmoreLab is also in pre-production on “Run You Down”, the first 3D video for Hollywood Records’ all-girl teen rockers Cherri Bomb.
A 3DeeCentral app is available for Windows 7, iPhone 3GS and iPod touch® 3rd generation devices at 3DeeCentral.com. Support for iPhone 4 and iPod touch 4th generation is coming this Spring. An Android app is coming soon. From the 3DeeCentral app, users can preview, buy and download 3D content for viewing on their 3D device.
About Spatial View
Spatial View Inc. is a pioneer in stereo 3D content delivery and auto-stereoscopic display technologies. As the source of high quality stereo 3D content, technology and products, Spatial View delivers the best viewing experience on a wide variety of 3D PC, mobile and internet-connected devices. The company makes the 3D experience accessible, affordable, versatile and inspiring. Established in 2004, Spatial View is headquartered in Toronto with offices in San Francisco, Dresden and Brussels. Visit www.3DeeCentral.com
PassmoreLab’s Acclaimed 3D Films Coming to NVIDIA’s 3DVisionLive.com
Extreme Sports Films, Nature Docs and Cult Classic “Night of the Living Dead, Now in 3D” Available on 3DVisionLive.com in April
San Diego, CA (Feb 29, 2011) – The latest titles from PassmoreLab’s extensive library of 3D content will soon be available online to fans worldwide. Today, the San Diego-based 3D film studio announced that it has licensed a number of its latest 3D films to NVIDIA for 3DVisionLive.com, the company’s 3D online community and content destination.
3DVisionLive.com is an online community where NVIDIA® 3D Vision™ technology users can enjoy and share a broad range of 3D content on their PCs. It allows them to stream 3D films, trailers, music videos, sport clips, and video shorts, as well as upload, share and view full-resolution 3D photos.
“The mission of 3DVisionLive.com is to bring great 3D experiences to 3D Vision users and ultimately provide a marketplace for great 3D content,” said Phil Eisler, general manager of 3D Vision, NVIDIA. “NVIDIA is delighted to have PassmoreLab join the growing list of high-quality 3D content available for the world to enjoy easily inside their web browser.”
The licensing agreement consists of seven titles from PassmoreLab, with more to follow. Specifically, the titles include:
- The original 1968 George Romero zombie thriller “Night of the Living Dead, Now in 3D!”
- Ed Wood’s 1959 cult classic “Plan 9 from Outer Space, Now in 3D!”
- Science documentaries “The Extreme Nature of Bats” and “Microworlds”
- Extreme downhill skateboard racing documentary “DROP 3D: My Life Downhill”
- Extreme snowmobile documentary “S:4 The Product”
- The PassmoreLab original animated short “Holy Moly”
“The adoption rate of 3D PCs is outpacing all other 3D delivery devices,” said Greg Passmore, president of PassmoreLab. “Working with NVIDIA is significant because it means our content will now be enjoyed on notebooks and desktops anywhere in the world.”
Analysts estimate about 75M 3D PCs will be sold per year within five years. (Source: Jon Peddie Research, 75 million PCs in 2014). The 3D Vision ecosystem now includes 1,000 products, including notebook and desktop PCs, displays, TVs, projectors, video applications, cameras/camcorders, GPUs, games, and the world’s first online 3D community – 3DVisionLive.com.
“It’s an exciting time for 3D, as art and technology continue to gain new ground,” said Steve Glum, PassmoreLab’s Head of Branding & Distribution. “As consumers, now we can all enjoy 3D anytime, wherever we happen to be – in offices, coffee shops, or sidewalk cafes.”
To experience PassmoreLab’s 3D films via 3DVisionLive.com, users will need a compatible NVIDIA® GeForce™ GPU-equipped PC, a 3D Vision Ready monitor and NVIDIA’s 3D Vision active shutter glasses and software, which are available for purchase at the NVIDIA store. A complete list of system requirements can be found at: http://www.3dvisionlive.com/requirements
Plain White T’s #1 on iTunes Album Rock Charts is now in 3D with PassmoreLab
Band Releases First 3D Video on Eve of North American Tour
Los Angeles, CA (Jan 21, 2011) – Chicago rock band Plain White T’s have released the 3D video for their hit “Rhythm of Love,” it was announced today in a joint statement by San Diego-based 3D Production Studio PassmoreLab, Plain White T’s and Hollywood Records.
“Rhythm of Love,” the first hit off the band’s newly released album, Wonders of the Younger, will be the band’s first-ever video in 3D. The 2D version is currently spinning on MTV. The single, which hit #1 on the iTunes Rock Album chart, is currently a top ten hit at radio and has already been certified Gold in the US. Sales of the song are far outpacing those set by the band’s previous hits “1,2,3,4,” and “Hey There Delilah,” which have sold over 5 million copies combined. The T’s recently performed “Rhythm of Love” on Good Morning America, The Tonight Show with Jay Leno, Lopez Tonight, and will make a guest appearance on The View February 23 in support of their hit single and the band’s upcoming Wonders of The Younger North American tour, that kicks off on January 27 in Milwaukee, WI.
Plain White T’s frontman Tom Higgenson says Wonders of The Younger is a collection of songs designed to create a feeling of nostalgia. “We wanted to take our fans to an unexpected place with the record, and that carries through to the 3D video version of “Rhythm of Love,”’ says Higgenson. “You feel like you are on that beach, right there next to us.”
PassmoreLab’s 3D technology was used during production. “It really works well in 3D, and surrounds the viewer with a feeling of summer romance,” says Steve Glum, PassmoreLab’s head of Branding & Distribution.
PassmoreLab has been very busy in 3D rock video production lately, producing all 3D on Slash’s #1 Rock Album video for “By the Sword” with Andrew Stockdale; on Semi Precious Weapons award-winning “Magnetic Baby”, currently on tour with Lady Gaga; on punk-rockers Osaka Popstar & the American Legends of Punk on “Wicked World”; on Rock ‘n Roll Hall of Famer Sammy Hagar on “Loud”; and is also in pre-production on “Run You Down”, the first 3D video for Hollywood Records’ all-girl teen rockers Cherri Bomb.
Plain White T’s “Rhythm of Love” 3D music video is now available for distribution worldwide, and can be seen on the new Mitsubishi 3D reel in over 11,000 North American retail locations.
About PassmoreLab
Passmorelab, the San Diego-based multi-media 3D production studio, has the world’s largest library of 3D content available for licensing. The studio custom-designs and builds its own RED camera 3D rigs for both conventional and rugged film productions. Passmorelab’s proprietary technology for state-of-the-art 3D post production is known in the industry for quick turnaround times and competitive costs. Additional offices in Russia and the Philippines. More at www.passmorelab.com. Inquiries: Steve Glum, steve(at)passmorelab(dot)com
About Plain White T’s
www.plainwhitets.com
“PassmoreLab Teams with Teen Rockers ‘Cherri Bomb’ to Shoot 3D Rock Video”
Production Starts in the California Desert in January
Los Angeles, CA (Dec 16, 2010) – Teen rock sensations Cherri Bomb are going from the sweaty stages of the Sunset Strip to the sweeping sands of the Salton Sea to make their first 3D video, it was announced today in a joint statement by San Diego-based 3D Production Studio PassmoreLab and Madhouse Music Productions.
“Run You Down”, is the second single off the album “ Perfectly Legitimate Use of Volume” and will be the band’s first video in 3D.
The all-girl band, currently in the studio working on their first studio album, are eager to get to work on the 3D visuals of the song, which was written by Noah Lifschey and Ana Lovelis. Production begins in January in southeastern California’s Salton Sea.
“I love this band and I like the idea that they will have a hot 3D video before they are even signed to a record deal,” said Greg Passmore, president of PassmoreLab and director of the video. “The Salton Sea location is the perfect backdrop for the betrayal and redemption of the song, and the girls are going to look great against it.”
With an average age of just 13 years old, Cherri Bomb is being touted as “Rock’s New Generation” and has already created quite a buzz in the music industry, performing at the Sunset Strip Music Festival, opening for Filter, touring with the Smashing Pumpkins and also appearing on NBC’s Nightly News, ABC ’s “The Red Carpet” and Fox’s “Good Day LA”. They are managed by renowned drummer turned manager Samantha Maloney (Hole, Motley Crue, The Crystal Method, Billy Ray Cyrus) head of Superior Artist Management, and were just signed to Creative Artist Agency.
“Every teenager in the country is home rocking out on guitar hero with dreams of rock stardom,” said Samantha Maloney, “This video will give them the chance feel like they are inside the experience.”
The band also just added an upcoming show with Camp Freddy during their 4th annual Xmas Residency on December 17th at the world-famous Roxy Theatre in Los Angeles. Camp Freddy is made up of ex-members of Jane’s Addiction, Guns ‘N Roses and The Cult, and always features guest performances from a wide variety of respected musicians. This will be the first time Cherri Bomb has played with them.
“We are very excited to work with PassmoreLab,” smiles Maloney. “Their indie-studio feel is a perfect fit for us…and now I have a reason to buy the fancy Gucci 3D glasses!”
Always on the cutting-edge of music, art and technology, PassmoreLab produced all 3D aspects of Slash’s 3D music video “By the Sword” with Andrew Stockdale; New York garage-glam phenoms Semi Precious Weapons on the award-winning “Magnetic Baby”; punk-rockers Osaka Popstar & the American Legends of Punk on “Wicked World”; Rock ‘N Roll Hall of Famer Sammy Hagar on “Loud”; and LA art noir group Miss Derringer on “Black Tears”. PassmoreLab also opened the rock-and-roll archives of famed photographer Bob Gruen to produce the first-ever 3D conversions of images from the Rock, Punk, and New Wave eras.
“It’s a rare opportunity to work with an up-and-coming band that has already arrived in many ways,” says Steve Glum, PassmoreLab’s head of Branding & Distribution. “And help establish them in the visual medium of 3D rock videos.”
Cherri Bomb’s “Run You Down” 3D music video will be available across multiple 3D distribution channels in March 2011.
About PassmoreLab
Passmorelab, the San Diego-based multi-media 3D production studio, has the world’s largest library of 3D content available for licensing. The studio custom-designs and builds its own RED camera 3D rigs for both conventional and rugged film productions. Passmorelab’s proprietary technology for state-of-the-art 3D post production is known in the industry for quick turnaround times and competitive costs. Additional offices in Russia and the Philippines. More at www.passmorelab.com. Inquiries: Steve Glum, steve@passmorelab.com
About Cherri Bomb
Cherri Bomb is a teenage all-girl rock band with a uniquely-explosive rock sound inspiring new waves of fans of all ages around the world. Dubbed “Rock’s New Generation”, the band consists of members Julia Pierce on Lead Guitar and Vocals; Nia Lovelis on Drums and Vocals; Miranda Miller on Keyboards, Guitar and Vocals; and Rena Lovelis on Bass and Vocals. More at www.cherribombband.com. Inquiries: Samantha Maloney, management@cherribombband.com
“PassmoreLab Wins Again with 3D Bats Film”
Studio’s “The Extreme Nature of Bats” Wins Best Cinematography at Dark Carnival Film Festival
San Diego, CA (Dec 9, 2010) – San Diego-based 3D Production studio PassmoreLab won another award for their just-released 3D documentary “The Extreme Nature of Bats”, this time getting the win at the Dark Carnival Film Festival in Bloomington, Indiana, for Best Cinematography.
Called the Sundance of horror, Dark Carnival was named one of the top 25 film festivals by MovieMaker Magazine. Hosted by AMC Monstervision’s horror alum & syndicated film critic Joe Bob Briggs, the three-day festival culminated with the awards ceremony, which included 13 different categories. The Best Cinematography category carried 7 competing nominations.
Shot in Texas, Romania, Belize, Africa and Mexico, the film, which explores the truths, myths and dark legends that have stalked the world’s only flying mammal, closely examines three bat species; the free-tailed bat, the megabat, and the infamous vampire bat. It takes an in-depth look at bats as unique and important animals, but because of fear and misconceptions associated with them throughout history, they are also some of the most misunderstood animals in the world.
The 35-minute documentary was directed by Greg Passmore, president of PassmoreLab, and handled all aspects of 3D production out of San Diego.
“It is truly an honor to accept this award for cinematography,” says Passmore. “Three bat species, four jungles, numerous caves, and five countries later — it is especially humbling to be recognized for being able to put it all together, and see the support for this film.”
Using RED camera technology, “The Extreme Nature of Bats” took six months to shoot, due largely to the travel required to capture these bats in their natural habitats, in some of the largest bat caves in the world. Production wrapped earlier this year off the coast of Africa, on a primitive island in the Indian Ocean, netting the crew some never-before-seen-footage of bats.
“This film is far from a typical bats documentary, and continues to create a lot of audience interest,” says Steve Glum, PassmoreLab’s head of Branding & Distribution. “It’s thrilling to see that as we ready it for release.”
PassmoreLab’s “The Extreme Nature of Bats” (www.passmorelab.com/bats) is now available for distribution to multiple 3D channels.
“Ground-breaking Humpback Whales Documentary Goes 3D”
“Ocean Voyagers” Producers Team with PassmoreLab to Bring 3D Version to Life”
San Diego, CA (Nov 22, 2010) – Award-winning Humpback whales documentary, Ocean Voyagers will soon be seen in full 3D, it was announced today in a statement by San Diego-based 3D Production studio PassmoreLab, Feodor Pitcairn Productions and Off the Fence Productions.
The 72-minute documentary, narrated by two-time Academy Award-winning actress Meryl Streep, explores the familiar themes of motherhood and parenting in a world as unfamiliar as it is breathtaking. Featuring a precocious newborn humpback calf and his enormous 40 ton mother, viewers are taken on a 7,000 mile journey of discovery into their world. The story begins in the tropical seas of the South Pacific and witnesses the dangers of animal and human predation – shark attacks, fishing gear entanglement, and perhaps worst of all, commercial whaling.
PassmoreLab produced all 3D aspects of the film out of San Diego, utilizing the company’s proprietary technology.
“This film is beautiful,” said Greg Passmore, president of PassmoreLab. “I think it will translate wonderfully into 3D, giving new audiences a more immersive and personal experience of life in the oceans.”
Previously broadcast in 2D, Ocean Voyagers was produced by Feodor Pitcairn Productions and Off the Fence Productions for Animal Planet International. The five-year excursion was shot entirely in High Definition on location in French Polynesia, Hawaii, Alaska, Newfoundland, The Bay of Fundy and the Gulf of Maine.
“Ocean Voyagers was one of those special projects that just seems to have a little magic associated with it, there were so many serendipitous events that resulted in truly amazing footage,” said Feodor Pitcairn, cinematographer of the film. “The bond that was created between the cameramen and the whales really shows up on screen and it will be even more amazing in 3D.”
Surprisingly little is known about the lives of Humpback whales. Still hunted and on the verge of extinction, Ocean Voyagers in 3D! provides a startlingly intimate portrait of Humpback life through the eyes of a mother whale as she teaches her baby all he will need to know to survive the dangers of the sea.
Ocean Voyagers in 3D! will be released internationally in 2011.
About PassmoreLab
Passmorelab, the San Diego-based multi-media 3D production studio, has the world’s largest library of 3D content available for licensing. The studio custom-designs and builds its own RED camera 3D rigs for both conventional and rugged film productions. Passmorelab’s proprietary technology for state-of-the-art 3D post production is known in the industry for quick turnaround times and competitive costs. Additional offices in Russia and the Philippines. www.passmorelab.com, or contact Steve Glum 858.200.5813.
Feodor Pitcairn Productions, Ltd: Founded in 1977, FPP is an independent production company featuring the work of diver, naturalist and underwater cinematographer Feodor Pitcairn. FPP was an early pioneer in the use of High-Definition technology in the underwater environment, originating and releasing Sperm Whale Oasis and Realm of the Killer Whales in HD in 2000. FPP was commissioned by the Smithsonian to create the Ocean Odyssey exhibit for the Sant Ocean Hall, which opened in 2008 at the National Museum of Natural History in Washington D.C. The installation consists of eight HD projections wrapping more than 220 feet around the interior of the space. www.feodorpitcairnproductions.com
Off The Fence, Inc: Established in 1994, OTF is an independent television distribution and production company, specialized in non-fiction programming for the international marketplace. OTF works hands-on with established production companies as well as talented newcomers to create internationally marketable specials and series. www.offthefence.com
From Slash’sWorld.com: Slash. in 3D!
http://www.slashsworld.com/2010/11/24/slash-in-3d/
“We found the underground setting of the video quite demanding,” said Steve Glum, PassmoreLab’s head of Branding & Distribution. “The quick camera cuts, sweeping movement, and low lighting gave us some challenges. But the final 3D video looks cool, especially the audience stop-action cuts, where Slash is wailing on his guitar during the solo. I can tell you that Slash in any form is cool, but Slash in 3D is awesome.”
3D Rock, Featuring Slash
By Jay Allen Sanford | Published Tuesday, Nov. 23, 2010
http://www.sandiegoreader.com/news/2010/nov/23/blurt1/
“We converted the original video into 3D for Slash and did the deal with him,” says Steve Glum of PassmoreLab on Morena Boulevard. The Bay Park–based company, founded here in 2003 by Greg Passmore, produced a 3D version of the guitarist’s sci-fi music video “By the Sword” from his self-titled solo album. “Slash was on tour during the conversion but was on top of every aspect of the video. We do many music videos, but this one was special because it was Slash.”
“By the Sword” is set in a postapocalyptic future, in a deserted power plant where music-starved survivors are rocking out to Slash and his band, which features singer Andrew Stockdale of Wolfmother. “The 3D conversion took about four weeks to complete,” according to Glum.
“We found the underground setting of the video quite demanding. The quick camera cuts, sweeping movement, and low lighting gave us some challenges. But the final 3D video looks cool, especially the audience stop-action cuts, where Slash is wailing on his guitar during the solo. I can tell you that Slash in any form is cool, but Slash in 3D is awesome.”
All stereoscopic aspects were produced in San Diego by PassmoreLab, which released the five-minute video internationally in August. PassmoreLab’s multimedia 3D production studio now boasts an extensive library of 3D content for licensing. Among the performers they’ve worked with are Sammy Hagar, Semi Precious Weapons, Osaka Popstar, and Johnny Ramone.
Slash’s 3D video is also screening on television in Canada, and Glum predicts the broadcasts will result in Canadians buying twice as many 3D-capable TVs this year. “They’ll have to buy another 3D TV because their kids blew out their speakers in the first one.”
“Slash Airs New Music Video in 3D in Canada”
Rocker Teams with PassmoreLab to Bring 3D Content to Canada on Rogers
San Diego, CA (Nov 9, 2010) – Slash’s 3D music video, “By the Sword”, the first video off of his #1 Rock Album SLASH, which hit retail in April and has received rave reviews worldwide, is now being be broadcast in 3D and available exclusively to customers of Rogers Communications Inc. in Canada, it was announced today in a joint statement by San Diego-based 3D Production studio PassmoreLab & Slash.
The 5-minute 3D rock video, “By The Sword”, is the first video ever from Slash to be released in 3D. It features the vocals of Andrew Stockdale of Wolfmother, and Slash’s signature shredding.
“It’s really cool to be broadcast in 3D in Canada,” said Slash.
SLASH hit the charts on April 6. Featuring an incredible lineup of rockers and vocalists like Kid Rock, Dave Grohl, Myles Kennedy, Fergie, Adam Levine, Chris Cornell, Ozzy Osbourne, Iggy Pop, and more, the album has been critically-acclaimed all over the world.
PassmoreLab produced all 3D aspects of the video, which was released internationally in theatres in August. The 3D video has never been aired before on 3D TV.
“My guess is Canadians may need to buy their 3D TVs twice now because of Slash,” says Steve Glum, PassmoreLab’s head of Branding & Distribution. “They will buy one the first time just so they can see Slash rock out in 3D. Then they’ll have to go buy another 3D TV because their kids blew out their speakers in the first one.”
The “By The Sword, in 3D!” video is set in a post-apocalyptic future, in a deserted power plant where people are starved for music. And that’s where Slash and the band are found mesmerizing an audience.
“Rock ‘n Roll is universal, and Slash is an icon,” continues Steve Glum. “This is a historic moment, a new chapter in entertainment programming, akin to when MTV launched. Everybody will remember that when 3D TV hit Canada, the first thing they saw was Slash.”
Slash’s “By The Sword, in 3D!” can be seen 24/7 starting today on Rogers Digital TV Channel 900, free to Rogers Digital Cable subscribers.
“Iron Doors 3D to Screen at Orlando Film Festival”
PassmoreLab’s New Psycho Thriller Takes on Orlando After Winning “Best 3D” Award at 3DFF Hollywood
San Diego, CA (Nov 4, 2010) – After taking home first place at the 3D Film Festival in Hollywood last month for their new independent film “Iron Doors 3D”, San Diego-based 3D Production studio PassmoreLab and FullFeedback Productions of Germany will screen the film at the Orlando Film Festival today. The co-producers took home the top prize in the 3D Narrative Feature Film (Conversion) category.
The feature was directed by Stephen Manuel and stars Axel Wedekind. PassmoreLab handled all aspects of 3D production out of San Diego.
“We are thrilled to bring the film to the Orlando Film Fest,” said Greg Passmore, president of PassmoreLab. “Iron Doors 3D is a film that uses 3D to help provide a sense of presence for the viewer, which becomes an integral part of the storytelling given the subject matter of the film.”
The film is a tale of one man’s intense struggle to free himself from inside a locked vault. He has no idea how he got in the vault – or how to get out – but he somehow must escape before he dies of dehydration.
“The way we used 3D in this film really helped to draw the audience in on the intense claustrophobia of the story,“ said Director Stephen Manuel. “You feel like you are actually inside the vault.”
“Iron Doors 3D” is the first collaboration between PassmoreLab and Fullfeedback Productions. The Orlando screening takes place as a part of the Orlando Film Fest’s ‘3D Thursday’, on Thursday, November 4th, at 9pm at the Plaza Cinema Café theatres, located at 155 South Orange Avenue in Orlando, Florida.